RED HANDS
- Christopher Golden

- Feb 7, 2020
- 2 min read
I'm thrilled to share this cover and a little info about my new novel, RED HANDS. I mean...look at that cover! I love it! RED HANDS is a standalone novel featuring Ben Walker. I've been toiling away writing the pilot script and bible for the in-development TV series, and that's been great, but TV is always a maybe...while the novel is a yes. It's real and tangible and alive and has this great damn cover. You work so long on a novel and you're in a vacuum, never knowing if what you're doing is any good. I'm always nervous when I begin to share the work with my first readers, but so far I've been startled by the terrific response. My agent, Howard Morhaim, is my toughest critic and he loved it. A select handful of other folks are reading it now and I'm nervous as hell.
So what's it about, you ask? Well...here you go:
A car plows through the crowd at a July 4th parade. The driver climbs out, sick and stumbling, reaching out…and everyone he touches drops dead within seconds. Maeve Sinclair watches in horror as people she loves begin to die and she knows she must take action. But in the aftermath of this terror, it’s Maeve Sinclair who possessed that killing touch. Fleeing into the mountains around Jericho Falls, New Hampshire, pursued by police, her own loved ones, and private security employed by the secretive Garland Mountain Laboratories, Maeve is struggling with her own grief, confusion, and the dawning realization that she will never be able to touch another human being again.
Sidelined by his employers for breaking the rules, “weird shit expert” Ben Walker is surprised to get a call from Alena Boudreau, director of the newly restructured Global Science Research Coalition. There’s an upheaval in the organization and she needs to send someone she can trust to Jericho Falls. Whoever finds Maeve Sinclair first will unravel the mystery of her death touch, and many are willing to kill her for that secret. Walker’s assignment is to get her off the mountain alive. But as Maeve searches for a safe hiding place, hunted and growing sicker by the moments, she begins to hear an insidious voice in her head, and the yearning, the need…the hunger to touch another human being continues to grow. When Walker and Maeve meet at last, they will unravel a stunning legacy of death and betrayal, and a malignant secret as old as history.
RED HANDS by Christopher Golden
Sometimes a Story is a Warning
Sometimes the Warning Comes too Late
Coming December 8th from St. Martin's Press. Click the image for more information.


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What a thrilling reveal! That cover alone is enough to pull anyone in — there's something deeply unsettling yet magnetic about it, which perfectly matches the premise. The feeling you described — working in a vacuum for so long, nervously sharing your work and waiting for reactions — is something so many of us relate to, whether we're writers, students, or professionals putting our best effort into something uncertain. I remember feeling that same anxiety while working on a major project during university; I even turned to Human Resource Assignment Help to get expert guidance when I felt completely lost and unsure if my work measured up. That external validation, much like your agent Howard's praise, made all the difference.…
What caught my attention in this post was the discussion around Red Hands and the way its darker themes seem to draw on folklore and atmosphere rather than relying only on straightforward scares. It reminds me how stories often mirror real emotions like uncertainty, loss, and the need to understand what feels uncontrollable. In that sense, the narrative also connects with students and readers who are constantly trying to balance pressure, deadlines, and unexpected challenges in their own lives. That’s where services like Assignment Help Services become relevant—not as an escape, but as support when academic workload feels overwhelming and clarity is needed to stay focused. Just like the characters searching for answers in the story, students also look for guidance…
What caught my attention in this post was the discussion around Red Hands and the way its darker themes seem to draw on folklore and atmosphere rather than relying only on straightforward scares. The glimpse into the creative process made me think about how stories often evolve in unexpected directions once a particular image or idea takes hold in a writer’s mind. I found myself wondering whether there was a specific scene or character that became more important during the writing process than originally intended, since those surprises can sometimes shape an entire story. It’s interesting how creative work often benefits from outside perspectives too, whether someone is developing a novel, refining an idea, or seeking Help with Assignment Writing when…
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